Request for Proposal TV Drama Production Partner

About this role

Procurement Summary

Item

Details

RFP Title

TV Drama Production Partner for TUKI Season 2

Procurement Method

Open competitive tender

Eligible Applicants

Qualified production companies, agencies

Location

Kenya

Contract Period

Approximately 6–8 months

Anticipated Delivery Period

December 2026 to July 2027

Reporting To

Designated Create or Programme Lead

Clarification Deadline

11 November 2026

Proposal Deadline

30 November 2026

Proposal Currency

Kenyan shillings

Submission Email

[email protected]

Please visit the Join Us section of our website to view the full RFP.

OBJECTIVE

Girl Effect is expanding the Tukisonga multimedia behavior change platform alongside WAZZII, our AI-powered WhatsApp chatbot. This joint initiative aims to boost contraceptive adoption, challenge existing social norms surrounding SRH care-seeking, and enhance STI prevention among adolescent girls, young women, and young men (AGYW/ABYM aged 15–24) across Nairobi and Nakuru.

Central to our multimedia ecosystem, the TV drama series serves as a key driver for our behavior change communications. TUKI is returning for its second season to explore new environments, storylines, and character journeys. We are seeking an established production partner to produce an 8-episode drama series that builds on the first season's success. The series will guide our audience from initial awareness toward active engagement, encouraging informed decision-making regarding their health, education, and economic well-being.

We require an experienced production house capable of managing the full end-to-end production of the youth-centered drama series, while continuing to genuinely reflect the lived experiences of young people in Kenya.

Impact metrics from the inaugural season highlight the platform's effectiveness:

• Expansive Audience Reach: TUKI? Season one and its supporting content connected with over 5 million young Kenyans, earning strong praise for authentic storytelling and engaging entertainment.

• Positive Behavioral Outcomes: Evaluation data confirmed increased confidence in discussing SRH topics with partners, greater acceptance of contraceptive use, and deeper reflection on interpersonal gender dynamics.

Audience Trust and Relevance: Follow-up participant surveys affirmed that youth regard the Tukisonga ecosystem as a highly credible, relatable, and educational source for SRH guidance.

WHAT YOU WILL DO

The production company would partner with Girl Effect to produce a branded youth-focused series rooted in and resonant with the realities that young people in Kenya face. The series must embody the spirit of the times, with a premise authentic to contemporary youth culture.

The characters should be relatable, multi-layered, and complex. We follow them on a journey of self-discovery and change as they fail, forge friendships, find mentors and find mental resilience in their adulting journey.

The characters will negotiate through our behaviour change framework, modeling positive journeys for our audience.

The production workflow spans four distinct phases, adhering to international multi-platform drama standards and incorporating local Kenyan regulatory, language, and distribution requirements:

Development Phase:

• Assembling the writers' room and securing an experienced head writer with proven expertise in youth drama and Social and Behavior Change (SBC) messaging.

• Collaborate closely with GE-appointed Create, SBC, and safeguarding consultants throughout narrative development.

• Finalize show Bible, character arcs, episode outlines, and obtain formal sign-offs.

• Conduct pre-testing and focus group reviews of draft scripts to validate tone, authenticity, and SBC alignment.

• Develop dual-track script adaptations concurrently for both TV broadcast and the accompanying radio drama series.

• Establish master pre-production schedules, technical pipelines, and safeguarding protocols.

Pre-Production Phase:

• Production Planning & Scheduling: Build comprehensive production master schedules, budgeting frameworks, and risk management strategies across TV and radio workflows.

• Casting & Talent Management: Conduct inclusive casting calls for youth actors representing target demographics; negotiate talent contracts, performance rights, and multi-platform image releases.

• Location Scouting & Permitting: Secure all shooting locations, film licenses, municipal permissions, and Kenya Film Classification Board (KFCB) filming permits.

• HOD & Creative Team Assembly: Recruit top-tier creative heads (Director, DoP, Line Producer, ADs, Production Designer, Sound Recordist, Editor, and Sound Mixer).

• Technical & Workflow Specifications: Establish technical shooting specs (Full HD/4K capture, color space, audio channel mapping) and file asset management protocols.

• Shooting Script Lock: Oversee final script polishes, table reads, and scene breakdowns for locked shooting scripts.

• Contracts & Legal Clearance: Execute binding cast/crew contracts, location agreements, copyright assignments, and music licensing clearances.

• Multi-Platform Asset Preparation: Plan ancillary production captures, including behind-the-scenes (BTS) footage, actor interviews, podcast integration, and digital/social promo clips.

• Safeguarding & On-Set Safety Setup: Implement child/youth protection policies, HSE protocols, and risk mitigation strategies across all filming sites.

Production Phase:

• Principal Photography (TV Series): Execute principal photography over a minimum 2-month window (~5 shoot days per episode) using high-grade camera, lighting, and sound gear.

• Radio Drama Studio Recording: Conduct dedicated studio voice recording sessions with the cast to capture full-length dialogue and soundscapes for the 8-episode radio drama adaptation.

• Directing & On-Set Quality Control: Lead episode direction to preserve artistic vision, performance authenticity, language nuances (English, Kiswahili, Sheng), and…